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Fiona Richmond
2026
2025
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Fiona Richmond
2026
2025
Archive
About
Writing
Contact
(0)
Cart (0)
2026
2025
Folder: Older Work
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About
Writing
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Battery Mirus: Lost Ground, 2025, Oil on Canvas, 120cm x 150cm

Battery Mirus: Lost Ground, 2025, Oil on Canvas, 120cm x 150cm

Le Trepied Dolmen, 50cm x 60cm, Oil on Linen, 2024

Le Trepied Dolmen, 50cm x 60cm, Oil on Linen, 2024

Track to Headland overlooking Mont Herault Watch Tower, oil and oyster shell on wooden raised panel, 15cm x 20cm

Track to Headland overlooking Mont Herault Watch Tower, oil and oyster shell on wooden raised panel, 15cm x 20cm

Winter Evening at Fort Hommet, 40cm x 50cm, Oil on Board, 2025

Winter Evening at Fort Hommet, 40cm x 50cm, Oil on Board, 2025

Cottages near Port Grat headland, oil on linen board, 43cm x 53cm, framed

Cottages near Port Grat headland, oil on linen board, 43cm x 53cm, framed

Pines at Le Guet, oil on copper, 23cm x 28.5cm framed

Pines at Le Guet, oil on copper, 23cm x 28.5cm framed

Pathway to St Tugual's Chapel, Herm, oil on board, 30 x 40cm, 2025

Pathway to St Tugual's Chapel, Herm, oil on board, 30 x 40cm, 2025

Gorse Hedge at Mont Herault Watch Tower, Oil on Copper on Raised Panel, 15.5cm x 20cm, 2025

Gorse Hedge at Mont Herault Watch Tower, Oil on Copper on Raised Panel, 15.5cm x 20cm, 2025

Gable Ends of Greenhouses near Houmet Paradis, oil on zinc, 23cm x 28.5cm framed

Gable Ends of Greenhouses near Houmet Paradis, oil on zinc, 23cm x 28.5cm framed

The Spine of Lihou, oil on wood panel, 30cm x 38cm framed

The Spine of Lihou, oil on wood panel, 30cm x 38cm framed

Pathway to the Deserted Shore Station at Fort Doyle, oil on wood panel, 20cm x 20cm

Pathway to the Deserted Shore Station at Fort Doyle, oil on wood panel, 20cm x 20cm

Todt worker stirring cement, oil on wood panel, 40 x 50cm

Todt worker stirring cement, oil on wood panel, 40 x 50cm

Soldiers with Swimmers, oil on wood panel 40cm x  50 cm

Soldiers with Swimmers, oil on wood panel 40cm x 50 cm

German Bunker, Vazon Bay, charcoal and pastel on paper

German Bunker, Vazon Bay, charcoal and pastel on paper

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Pathway through the Sea Beet to the German Stone Crusher, Port Grat, 2025, 100cm x 80cm (unframed)

Pathway through the Sea Beet to the German Stone Crusher, Port Grat, 2025, 100cm x 80cm (unframed)

Todt Workers Spreading Cement, 2025, oil on wood panel,

Todt Workers Spreading Cement, 2025, oil on wood panel,

Todt Workers clearing earth for fortifications

Todt Workers clearing earth for fortifications

Not sure I’m ever going to be able to reclaim my painting trolley! 😂🐈‍⬛😬
It’s lovely when painter friends leave unexpected gifts behind. I just love this watercolour portrait of me by @ms_giving_art that was made when @collective.split members visited Guernsey at the end of May. We had a wonderful weekend and the su
I can’t remember where I read about this book, but having tracked it down on eBay, I’m loving it! First published in 1950, by the psychologist Marion Milner, originally under a pseudonym, “On Not Being Able to Paint” functions
I’ve no firm sense of where these little studies are going, but it’s interesting using the flatness of old faded black and white photographic imagery as a starting point for paintings. The colour is very strange right now but seems to be
Today I’ve been working from old black and white family photos. This small painting sketch one is from one from the early 1950s when my Gran found a monkey at the local animal shelter and took him home. He tormented the dog by jumping on his ba
The Response Exhibition showing the work of members of Split Collective will be closed this weekend for a rehang. Initially it was showing at the Gatehouse Gallery in St Peter Port and the Rectory in St Pierre du Bois. The Gatehouse show has now move
Lovely swim on the high tide with @rosanne_guille_art who I dragged out of her studio for a bit of pre-exhibition respite. The water still feels chilly, but lots of people out for the evening with their picnics and barbecues.
The megalithic burial sites in the islands always leave me with such a sense of awe. It’s so hard to understand how they were made five or six thousand years ago and what life in the island would have been like. It’s strange that we carry
It was such a pleasure to see this diverse set of work at the @gatehousegalleryec It is now moving to the Rectory at St Pierre du Bois church and can be viewed on Saturdays and Sundays until mid-August. The Rectory will be closed this weekend to orga

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