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Fiona Richmond
2026
2025
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Fiona Richmond
2026
2025
Archive
About
Writing
Contact
(0)
Cart (0)
2026
2025
Folder: Older Work
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Archive
About
Writing
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Battery Mirus: Lost Ground, 2025, Oil on Canvas, 120cm x 150cm

Battery Mirus: Lost Ground, 2025, Oil on Canvas, 120cm x 150cm

Le Trepied Dolmen, 50cm x 60cm, Oil on Linen, 2024

Le Trepied Dolmen, 50cm x 60cm, Oil on Linen, 2024

Track to Headland overlooking Mont Herault Watch Tower, oil and oyster shell on wooden raised panel, 15cm x 20cm

Track to Headland overlooking Mont Herault Watch Tower, oil and oyster shell on wooden raised panel, 15cm x 20cm

Winter Evening at Fort Hommet, 40cm x 50cm, Oil on Board, 2025

Winter Evening at Fort Hommet, 40cm x 50cm, Oil on Board, 2025

Cottages near Port Grat headland, oil on linen board, 43cm x 53cm, framed

Cottages near Port Grat headland, oil on linen board, 43cm x 53cm, framed

Pines at Le Guet, oil on copper, 23cm x 28.5cm framed

Pines at Le Guet, oil on copper, 23cm x 28.5cm framed

Pathway to St Tugual's Chapel, Herm, oil on board, 30 x 40cm, 2025

Pathway to St Tugual's Chapel, Herm, oil on board, 30 x 40cm, 2025

Gorse Hedge at Mont Herault Watch Tower, Oil on Copper on Raised Panel, 15.5cm x 20cm, 2025

Gorse Hedge at Mont Herault Watch Tower, Oil on Copper on Raised Panel, 15.5cm x 20cm, 2025

Gable Ends of Greenhouses near Houmet Paradis, oil on zinc, 23cm x 28.5cm framed

Gable Ends of Greenhouses near Houmet Paradis, oil on zinc, 23cm x 28.5cm framed

The Spine of Lihou, oil on wood panel, 30cm x 38cm framed

The Spine of Lihou, oil on wood panel, 30cm x 38cm framed

Pathway to the Deserted Shore Station at Fort Doyle, oil on wood panel, 20cm x 20cm

Pathway to the Deserted Shore Station at Fort Doyle, oil on wood panel, 20cm x 20cm

Todt worker stirring cement, oil on wood panel, 40 x 50cm

Todt worker stirring cement, oil on wood panel, 40 x 50cm

Soldiers with Swimmers, oil on wood panel 40cm x  50 cm

Soldiers with Swimmers, oil on wood panel 40cm x 50 cm

German Bunker, Vazon Bay, charcoal and pastel on paper

German Bunker, Vazon Bay, charcoal and pastel on paper

IMG_8092.JPG
Pathway through the Sea Beet to the German Stone Crusher, Port Grat, 2025, 100cm x 80cm (unframed)

Pathway through the Sea Beet to the German Stone Crusher, Port Grat, 2025, 100cm x 80cm (unframed)

Todt Workers Spreading Cement, 2025, oil on wood panel,

Todt Workers Spreading Cement, 2025, oil on wood panel,

Todt Workers clearing earth for fortifications

Todt Workers clearing earth for fortifications

I’m delighted to be co-curating Contested Landscapes exhibition with Adam Stephens, Director of the Gatehouse Gallery, in October. Do put Friday 23rd October in your diary for the private view.
Great to see the work in the @greenhouse_art_collective in different light in the greenhouse. 

Exhibiting work in the show are:
Charlie Buchanan
Cahir Cahill
Adam Cockcroft
Maya Cockcroft
Izzy Cockcroft
Sharmane Dodd
Alisha Flouquet
Tasmin Ferguson
Some better photos from the @greenhouse_art_collective Show at @bailiwickblue Gele Vinery which is open today and Sunday. Do visit if you have a chance to - it’s lovely to see work in this beautiful setting.  The exhibition is a reminder of the
Great to see the @greenhouse_art_collective’s  show at the Gele Vinery this evening. Congratulations to James, Alesha, George, Athene and all who helped make it such a success. The exhibition is open on Saturday and Sunday so do drop by to see
I think this is finished now. Derelict Greenhouse overlooking  Rocquaine Headland. #guernseyarts
The strange Triangle House near St Sampson’s Church. Once the Southside yard of J. Mowlem, renowned local quarrier and export merchant of Guernsey granite, it is now rented out as a tiny home by the National Trust. #auto_amor
I love the tenacity of the sea plants around our coast - sea beet and rock samphire particularly. They’ve survived the drought of summer and continue strong into lovely Sept. A glorious swim on the high tide this lunchtime - sea temperature 19.
Just starting to rework this painting on aluminium as it wasn’t holding together well. I’m using pulverised ormer and oyster shells collected over the years (which’s knackered my coffee grinder!) to add another dimension both to the
Some wonderful references given to me to think about in my last correspondence course letter by my @turpsbanana mentor. Fairfield Porter’s work from the 1960s (1-8) and Turner’s Petworth interiors (9-15) (excuse the terrible cropping of t

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